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  2. French and Beat Literatures: A History of Mutual Appropriation, Reception, and Translation
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French and Beat Literatures: A History of Mutual Appropriation, Reception, and Translation

58:4 (2018) Winter
Editor(s):
Véronique Lane
Read on Project MUSE

Table of Contents

Introduction: Materializing the “Eternal French Connexion”
Author(s):
Véronique Lane
Pages:
1
-
14
The Representation of Literary and Cultural Paris in Olympia Review (1961–1963)
Author(s):
Maarten van Gageldonk
Pages:
15
-
30
William Burroughs’ Cut-Ups Lost and Found in Translation
Author(s):
Oliver Harris
Pages:
31
-
48
Mary Beach and Claude Pélieu’s Translations and Adaptions of Allen Ginsberg’s Work
Author(s):
James Horton
Pages:
49
-
63
La Beat Generation en France : Avant-garde vs Underground
Author(s):
Olivier Penot-Lacassagne
Pages:
64
-
75
From Bucharest to the Beat Hotel: Isidore Isou and the Lettrist Revolution on the Left Bank
Author(s):
Andrew Hussey
Pages:
76
-
88
Tristan Corbière’s Amours jaunes in Allen Ginsberg’s Early Poetry
Author(s):
Véronique Lane
Pages:
89
-
103
Jean Cocteau et le sang poétique de la Beat Generation
Author(s):
Franca Bellarsi
Pages:
104
-
119
Jack Kerouac’s French, American, and Quebecois Receptions: From Deterritorialization to Reterritorialization
Author(s):
Susan Pinette
Pages:
120
-
133
American Schizo: William Burroughs and Semiotext(e)
Author(s):
Jason Earle
Pages:
134
-
148
Godard Gets the Blues: Movies, Music, and Baraka
Author(s):
Hassan Melehy
Pages:
149
-
167

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