The Maxim 22:3 (1982) Fall Editor(s): Richard Barnett Table of Contents Avant-propos Author(s): Richard Barnett Pages: 5 - 7 Montaigne's Maxims: From the Discourse of the Other to the Expression of Self Author(s): François Rigolot Pages: 8 - 18 Aphorism as Discursive Weaponry: Corneille's Language of Ammunition Author(s): Mary Jo Muratore Pages: 19 - 27 Maxim-al Codes of Minimal Closure: Pascal's Sequestered Schema Author(s): Richard Barnett Pages: 28 - 38 The Mad Judge, or Manners without Morals: From La Rochefoucauld's 'mot juste' to Chamfâort's 'mot fou' Author(s): John J. Humphries Pages: 46 - 58 Contagions of Truth: Language and History in Les Egarements du coeur et de l'esprit Author(s): Jack Undank Pages: 59 - 71 Balzac and the Art of the Macro-Emblem in Splendeurs et misères des courtisanes Author(s): Allan H Pasco Pages: 72 - 81 Maximization with No Margins: Reading the Commonplace Author(s): Mary Ann Caws Pages: 82 - 85
Montaigne's Maxims: From the Discourse of the Other to the Expression of Self Author(s): François Rigolot Pages: 8 - 18
Aphorism as Discursive Weaponry: Corneille's Language of Ammunition Author(s): Mary Jo Muratore Pages: 19 - 27
Maxim-al Codes of Minimal Closure: Pascal's Sequestered Schema Author(s): Richard Barnett Pages: 28 - 38
The Mad Judge, or Manners without Morals: From La Rochefoucauld's 'mot juste' to Chamfâort's 'mot fou' Author(s): John J. Humphries Pages: 46 - 58
Contagions of Truth: Language and History in Les Egarements du coeur et de l'esprit Author(s): Jack Undank Pages: 59 - 71
Balzac and the Art of the Macro-Emblem in Splendeurs et misères des courtisanes Author(s): Allan H Pasco Pages: 72 - 81
