What’s So Great About Roland Barthes?

55:4 (2015) Winter
Editor(s): Thomas Baldwin, Katja Haustein, Lucy O’Meara
Read on Project MUSE

Table of Contents

• What’s So Great About Roland Barthes?
• Author(s): Thomas Baldwin, Katja Haustein, Lucy O’Meara
• Pages: 1 - 6

• Rhythm Barthes, rythmicité du vivre
• Author(s): Marielle Macé
• Pages: 7 - 20

• Living Alone Together: Barthes, Zola, and the Work of Letters
• Author(s): Susan Harrow
• Pages: 21 - 38

• Cultural Theory on the Micro-scale: Roland Barthes’s Lectures at the Collège de France
• Author(s): Adrienne Ghaly
• Pages: 39 - 55

• Barthes and the Voice: The Acousmatic and Beyond
• Author(s): Patrick ffrench
• Pages: 56 - 69

• Rewriting Proust
• Author(s): Thomas Baldwin
• Pages: 70 - 85

• « J’ai toujours eu envie d’argumenter mes humeurs » : Savoir et subjectivité dans La chambre claire et Sur Racine
• Author(s): Claude Coste
• Pages: 86 - 100

• Killing Joke: Authorship from Barthes to Nothomb
• Author(s): Lucy O’Meara
• Pages: 101 - 117

• Practising with Roland Barthes
• Author(s): Kate Briggs
• Pages: 118 - 130

• “J’ai mal à l’autre”: Barthes on Pity
• Author(s): Katja Haustein
• Pages: 131 - 147

• Classé, Surclasser, Déclassé, or, Roland Barthes, Classification without Class
• Author(s): Andy Stafford
• Pages: 148 - 164

• What Turns the Writer into a Great Writer?: The Conversion Narrative of Barthes’s “Vita nova”
• Author(s): Diana Knight
• Pages: 165 - 180