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  2. What’s So Great About Roland Barthes?
Issue Cover

What’s So Great About Roland Barthes?

55:4 (2015) Winter
Editor(s):
Thomas Baldwin
Katja Haustein
Lucy O’Meara
Read on Project MUSE

Table of Contents

What’s So Great About Roland Barthes?
Author(s):
Thomas Baldwin
Katja Haustein
Lucy O’Meara
Pages:
1
-
6
Rhythm Barthes, rythmicité du vivre
Author(s):
Marielle Macé
Pages:
7
-
20
Living Alone Together: Barthes, Zola, and the Work of Letters
Author(s):
Susan Harrow
Pages:
21
-
38
Cultural Theory on the Micro-scale: Roland Barthes’s Lectures at the Collège de France
Author(s):
Adrienne Ghaly
Pages:
39
-
55
Barthes and the Voice: The Acousmatic and Beyond
Author(s):
Patrick ffrench
Pages:
56
-
69
Rewriting Proust
Author(s):
Thomas Baldwin
Pages:
70
-
85
« J’ai toujours eu envie d’argumenter mes humeurs » : Savoir et subjectivité dans La chambre claire et Sur Racine
Author(s):
Claude Coste
Pages:
86
-
100
Killing Joke: Authorship from Barthes to Nothomb
Author(s):
Lucy O’Meara
Pages:
101
-
117
Practising with Roland Barthes
Author(s):
Kate Briggs
Pages:
118
-
130
“J’ai mal à l’autre”: Barthes on Pity
Author(s):
Katja Haustein
Pages:
131
-
147
Classé, Surclasser, Déclassé, or, Roland Barthes, Classification without Class
Author(s):
Andy Stafford
Pages:
148
-
164
What Turns the Writer into a Great Writer?: The Conversion Narrative of Barthes’s “Vita nova”
Author(s):
Diana Knight
Pages:
165
-
180

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