Writing One's Death: Between Fiction and Testimony 40:1 (2000) Spring Editor(s): Bruno Chaouat Table of Contents Guillaume de Lorris "Rose" or the Mourning Beat of Narcissism Author(s): Claire Nouvet Pages: 3 - 13 Future's Phantoms, or Reincarnations of the Parricidal Past in the "Roman d'Eneas" Author(s): Zrinka Stahuljak Pages: 14 - 24 Nothing to Say: Fragments on the Mother in the Age of Mechanical Reproduction Author(s): Elissa Marder Pages: 25 - 35 The Tears of Philosophy Author(s): Didier Maleuvre Pages: 36 - 46 The Last Word: Deathbed Scenes in the Works of Nathalie Sarraute Author(s): Mark D Lee Pages: 47 - 57 Patchwork Beckett Author(s): Ann Smock Pages: 58 - 68 Passive Suicide Author(s): Monica Kelley Pages: 69 - 78 Writing the Ending: Simone de Beaucoir's "Tout compte fait" as Testament Author(s): Susan Bainbrigge Pages: 79 - 87 ‘La Mort ne recèle pas tant de mystère’: Robert Antelme’s Defaced Humanism Author(s): Bruno Chaouat Pages: 88 - 99 L’Identité posthume dans "Le Paradis" d’Hervé Guibert Author(s): Isabelle Décarie Pages: 100 - 110
Future's Phantoms, or Reincarnations of the Parricidal Past in the "Roman d'Eneas" Author(s): Zrinka Stahuljak Pages: 14 - 24
Nothing to Say: Fragments on the Mother in the Age of Mechanical Reproduction Author(s): Elissa Marder Pages: 25 - 35
The Last Word: Deathbed Scenes in the Works of Nathalie Sarraute Author(s): Mark D Lee Pages: 47 - 57
Writing the Ending: Simone de Beaucoir's "Tout compte fait" as Testament Author(s): Susan Bainbrigge Pages: 79 - 87
‘La Mort ne recèle pas tant de mystère’: Robert Antelme’s Defaced Humanism Author(s): Bruno Chaouat Pages: 88 - 99
